The Executive Producer In Action

The Executive Producer In Action
During a Taping of "Speechless"

How Can a 21-Year-Old Be an Executive Producer?

Easy: by wanting to be one for the longest time. Producing is definitely one of my strengths: I love to multi-task, manage, delegate, create and stick to deadlines, and effectively communicate. I also enjoy being creative and working with others.


One day, I want to write and produce my own sitcom. If I could learn how to be a competent director, I'd do that as well. I love comedy because I love making people laugh and enabling them to poke fun of their own idiosyncrasies; Lord knows I have a lot of them! I also dream of working with my classmates because I had the chance to work with some of the most talented casting directors, technical directors, writers, producers, stage managers, audio, and post-production personnel. At the same time, I am awed by the professionals who work out in Hollywood and hope to meet and work with some of the industry's best people.


I'm ready to take charge and conquer the world of television. Hollywood, here I come!


Sunday, April 11, 2010

My Other Ambition

I still want to be a television executive producer; that would be the most exciting and adventurous career I could ask for. However, I've also harbored a second desire, one that most people don't know about: I want to own my own cable network.

Syndication is something that has always fascinated me--at least the rerun aspect. 95% of the shows I watch are reruns of classic television shows (such as I Love Lucy, The Golden Girls, Roseanne, and Mama's Family, just to name a few). Something has always bothered me about showing reruns on American TV, and that's the annoying chopping of three minutes per episode to make room for additional commercials. The reason this is an issue is because some shows (such as ALF, Mama's Family, and the first seasons of The Cosby Show, Roseanne, and Third Rock from the Son) were released to DVD in their syndicated formats--these masters haven't seen the light of day since these shows' original broadcasts.

If I had my own network, I would show sitcom reruns 24/7 of all the classic shows from the 1950s to the present. Now, "classic" is very subjective, but I'd say that the shows mentioned in the 100 Greatest Sitcoms of All Time would end up on my network. My goal is to scrounge, save, and hire a competent entertainment lawyer to procure the rights to air the original masters. I would even go so far as to purchase some original commercials (a la TV Land's "Retromercials," back when the network was watchable) to throw them into the mix. Further, I would purchase some older TV specials and short-lived sitcoms to air as weekend marathons.

My philosophy is this: If Oprah can do it, so can I.

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